Griselda Pollock Feminist Interventions and the Histories of Art

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Revisiting Modernity and the Holocaust

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Documenting Kelly's work from 1970-1975, these essays call attention to overlapping concerns ... more Documenting Kelly'south work from 1970-1975, these essays telephone call attention to overlapping concerns surrounding Conceptual Art and feminist theory/practice. Issues of subjectivity, patriarchy and reproductive rights are discussed in the context of the women's liberation movement, modern aesthetics and psychoanalysis. Biographical notes. 178 bibl. ref.

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The schema which decorated the cover of Alfred H. Barr's catalogue for the exhibition Cubism ... more The schema which decorated the cover of Alfred H. Barr's catalogue for the exhibition Cubism and Abstruse Art at the Museum of Modern Art, New York, in 1936 is paradigmatic of the mode modern art has been mapped by modernist art history [2]. All those canonized equally the initiators of modern art are men. Is this because there were no women involved in early on modernistic movements? No.' Is it because those who were, were without significance in determining the shape and grapheme of modern art? No. Or is it rather because what modernist art history celebrates is a selective tradition which normalizes, as the only modernism, a item and gendered set of practices? I would contend for this explanation. As a result any endeavour to deal with artists in the early on history of modernism who are women necessitates a deconstruction of the masculimst myths of modernism.z These are, withal, widespread and structure the soapbox of many counter-modernists, for instance in the social history of a...

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Bracha Fifty. Ettinger's writing addresses the central questions of philosophy, psychoanalysis and ar... more Bracha L. Ettinger'southward writing addresses the cardinal questions of philosophy, psychoanalysis and art—being and becoming, body and mind, consciousness and the Unconscious, bailiwick and object of desire, alterity, difference and relationality.1 Artist-painter, artist-theorist and psychoanalyst, Ettinger recasts our understanding of the formation of the human subject that traverses the three registers of subjectivity defined by Jacques Lacan as the Real, the Imaginary, and the Symbolic, addressing both the psycho-linguistic and the psycho-social. Developing a vocabulary of new concepts starting from Matrix and Metramorphosis (Chapter one) Ettinger radically enlarges psychoanalytical, philosophical, feminist and cultural theorizations of both subjectivity and sexual difference.ii Moreover, by doing so, she both reveals the connectedness betwixt the subject and sexual difference while exposing the bias of psychoanalysis in relation to their entwining. Ettinger proposes a theory of subjectivity-as...

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Function IIn the autumn of 20111 had the privilege of beingness a Getty Visiting Professor at Jawaharlal ... more Part IIn the autumn of 20111 had the privilege of being a Getty Visiting Professor at Jawaharlal Nehru University in New Delhi. The JNU's graduate programme is surprisingly ane of the very few in art history in the whole of India. There are less than 3 departments or schools for the study of art history in India despite the wealth of cultural heritage to be studied. The Getty is supporting their endeavours to develop the field by enabling the JNU to invite Western art historians who tin can share with the JNU graduates specific research interests and scholarly methodologies beingness developed currently in Europe and the Americas. I was invited as a 'Western feminist art historian' to elaborate on gender in the history of art as it has been studied in the W. Their expectations of me were based on those of my publications that had initially contributed to the establishment of the very possibility of a 'feminist intervention in fine art's histories' - a formulation I...

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Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse

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Visual Politics of Psychoanalysis

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Afterall: A Periodical of Fine art, Context and Enquiry

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A scrap of reinvented truth. A child with a story full of holes, tin just reinvent for herself a me... more than A bit of reinvented truth. A child with a story full of holes, tin can only reinvent for herself a retentiveness. Of this I am certain. Therefore the autobiography in all of this can only be reinvented. Retentivity is always reinvented in a story full of holes as if there is no story left. What to practise then? Try to make full in the holes—and I would say fifty-fifty this hole—with an imagination fed on everything one can find, the left and the right and the center of the hole. I attempts to create one'due south own imaginary truth. Chantal Akerman

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Revisiting Modernity and the Holocaust

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Documenting Kelly'due south work from 1970-1975, these essays phone call attention to overlapping concerns ... more than Documenting Kelly's work from 1970-1975, these essays call attention to overlapping concerns surrounding Conceptual Art and feminist theory/do. Issues of subjectivity, patriarchy and reproductive rights are discussed in the context of the women's liberation movement, modern aesthetics and psychoanalysis. Biographical notes. 178 bibl. ref.

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The schema which decorated the embrace of Alfred H. Barr's catalogue for the exhibition Cubism ... more than The schema which decorated the cover of Alfred H. Barr's catalogue for the exhibition Cubism and Abstruse Art at the Museum of Modern Fine art, New York, in 1936 is paradigmatic of the way modern art has been mapped by modernist art history [2]. All those canonized as the initiators of modernistic fine art are men. Is this because there were no women involved in early on modern movements? No.' Is it because those who were, were without significance in determining the shape and grapheme of modern fine art? No. Or is it rather because what modernist art history celebrates is a selective tradition which normalizes, as the only modernism, a particular and gendered gear up of practices? I would argue for this caption. As a event any endeavor to bargain with artists in the early history of modernism who are women necessitates a deconstruction of the masculimst myths of modernism.z These are, however, widespread and construction the discourse of many counter-modernists, for instance in the social history of a...

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Bracha L. Ettinger'southward writing addresses the fundamental questions of philosophy, psychoanalysis and ar... more than Bracha L. Ettinger'south writing addresses the central questions of philosophy, psychoanalysis and fine art—existence and becoming, body and mind, consciousness and the Unconscious, subject and object of desire, alterity, difference and relationality.1 Artist-painter, artist-theorist and psychoanalyst, Ettinger recasts our understanding of the formation of the human subject that traverses the three registers of subjectivity divers by Jacques Lacan as the Real, the Imaginary, and the Symbolic, addressing both the psycho-linguistic and the psycho-social. Developing a vocabulary of new concepts starting from Matrix and Metramorphosis (Affiliate 1) Ettinger radically enlarges psychoanalytical, philosophical, feminist and cultural theorizations of both subjectivity and sexual difference.ii Moreover, by doing and so, she both reveals the connection between the subject and sexual difference while exposing the bias of psychoanalysis in relation to their entwining. Ettinger proposes a theory of subjectivity-every bit...

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Office IIn the fall of 20111 had the privilege of beingness a Getty Visiting Professor at Jawaharlal ... more than Function IIn the autumn of 20111 had the privilege of being a Getty Visiting Professor at Jawaharlal Nehru Academy in New Delhi. The JNU'southward graduate programme is surprisingly one of the very few in art history in the whole of India. At that place are less than three departments or schools for the study of art history in India despite the wealth of cultural heritage to be studied. The Getty is supporting their endeavours to develop the field past enabling the JNU to invite Western fine art historians who can share with the JNU graduates specific research interests and scholarly methodologies existence developed currently in Europe and the Americas. I was invited every bit a 'Western feminist art historian' to elaborate on gender in the history of fine art equally it has been studied in the Westward. Their expectations of me were based on those of my publications that had initially contributed to the institution of the very possibility of a 'feminist intervention in art's histories' - a formulation I...

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Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse

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Visual Politics of Psychoanalysis

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Afterall: A Journal of Art, Context and Enquiry

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A bit of reinvented truth. A child with a story full of holes, can only reinvent for herself a me... more A fleck of reinvented truth. A kid with a story total of holes, can simply reinvent for herself a retentiveness. Of this I am certain. Therefore the autobiography in all of this can but exist reinvented. Retentivity is always reinvented in a story full of holes as if there is no story left. What to practice then? Endeavour to fill in the holes—and I would say fifty-fifty this hole—with an imagination fed on everything one can observe, the left and the right and the middle of the pigsty. One attempts to create one'due south ain imaginary truth. Chantal Akerman

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Griselda Pollock Feminist Interventions and the Histories of Art

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